A Raahgir e Rahguzar From Place Called India

A ‘Raahgir-e-Rahguzar’ from Place called India

I immediately liked this man when I met him for the first time around seventeen and half years back. He was my kind of person; simple, jovial, full of fun and had the prowess of making every moment light and full of happiness for the people around him. This liking developed into pride, respect and admiration six years back when he published his first novel ‘Chasing Maya’. It was a beautiful story woven around the mirage of happiness of modern lifestyle. I loved the novel because somewhere it was my story as well. He is back with another beautiful creation ‘Rahgeer-e-Rehguzar’, a compilation of Urdu poems, which is quite an achievement for a person from north-eastern part of India, for whom even Hindi is a learned language!

He is an amazing storyteller and his command over multiple Indian languages like Marathi, Gujarati, Bangla, Assamese, Sanskrit, Urdu, and a bit of Punjabi too, not to mention Hindi and English, takes his storytelling abilities to entirely different level. I requested his audience before he gets busy with the publishing work of his new English novel – his third book in a span of seven years. I got an opportunity to talk to him this week. Let me bring you the excerpts of my riveting talk with Mr. Rohan Gogoi, my immediate senior from the business school we both went to, and the celebrated author of ‘Chasing Maya’ and ‘Rahgeer-e-Rehguzar’.   

Mukul: To write a story, a poem or novel, one needs an inspiration or a moment or an event. What was your moment, event or inspiration which launched the beautiful spring of words?

Rohan Gogoi: When I finished writing Chasing Maya, rather recurrently, over multiple media interviews, I shared with my journalist friends that ‘my frustration is my inspiration’! I had walked quite a lot in the journey called life, despite the fact that I was just a 28-year-old when I had started writing Chasing Maya. I had everything which could label me as successful in the milieu we live in. I had a beautiful family, great friends and a reasonably fruitful career, yet I was not happy. It seemed as if the rigmarole of everyday life was making me a prisoner of a rat race, which I never wanted to be a part of.

Being a Corporate Communicator, I was writing a lot for my employer organization’s endless internal and external communication pieces. In fact, for the love of writing, I had opted for a career in communications. I enjoyed telling stories. And when, chronic frustration and refusal to live as per societal expectations fuelled an untamable desire to find my true self, I started having deep conversations with myself; and soon, I started writing them down too... Words turned into sentences and sentences turned into pages. Eventually, I discovered that it was sounding like a story. People around me loved it and ‘Chasing Maya’ thus happened!

When the book came out, there was a sense of overwhelm, because many people reached out to tell me that they could find shades of their own lives in it. These intriguing words served like the answer I was seeking for so long! I started looking forward to every moment that could grant me an opportunity to write, tell a story, compose poetry, sing or simply just spread the my wings of imagination

Mukul: You started your journey as an author with ‘Chasing Maya’, which was quite urban in theme. What made you transition from English and urban themes, which you have strong command over, to the profound subtleties of a classical language like Urdu, which, I am sure, was never your language of communication?

Rohan Gogoi: Well, the success of ‘Chasing Maya’ exposed me to a whole new spectrum of experiences. It was kind humbling to see readers taking the pain of finding and reaching me through rather unbelievable means. I felt encouraged like never before and I started working on my next novel.

One of the characters of my second novel, which I started working on, and is now in the concluding stage, has his roots Uttar Pradesh – who writes and recites Urdu poetry. To make him sound real and authentic, I had to make some effort to learn the language. But I was rather surprised that it turned out to be a much simpler exercise than what I had expected. And reason I finally figured out was kind of amusing… My father, who couldn’t speak a word of Hindi, used to be an avid follower of old Hindi film songs. He loved Urdu ghazals too. So, I was raised on a very healthy dose of the immortal creations of Kaifi Azmi, Shahir Ludhiyanvi, Raja Mehdi Ali Khan, Shailendra, Ghulam Ali, Mehndi Hasan etc. and I too grew up becoming no less a fan of those great maestros. I think my creative bent of mind took baby steps then and there. Had I not written ‘Rahgeer-e-Rehguzar’, I wouldn’t have been fortunate enough to appreciate the profoundness and subtlety of this great language. This book is a kind of an ode to my love for purity of language, poetry and literature.

Mukul: In this age of hardening regional and language identity, you are perfect example of openness, oneness and Indianness. A boy from North-Eastern part of the country, for whom even Hindi is a learned language, writes a book in ‘Urdu’, which is quite unfathomable but really commendable. What would be your message for the youth of today’s India; most of them are outraged most of the time at one thing at other?        

Rohan Gogoi: I was a simple small town boy, who wanted to see the world, meet different people, tell my stories and listen to theirs. During my professional life, I have travelled extensively, not only across the country but around the world as well. I have seen people of extreme riches and also those living in abject poverty. I have slept under open sky on the white sands of Rann of Kutchh and I have also spent days with people in Kalahandi who were almost clueless about their next day’s meal. These experiences brought forward many facets of reality in front of me.  

The first thing I learned in this process is to be open and accept the people the way they are, the way they live, the language they speak, the food they eat. India is our country and we need to accept the way it is. India is complex… Multiple ethnicity, multiple languages, multiple faiths define us. Even the core Indic philosophy puts forward multiple ways to reach the ultimate truth. That’s what we are as a nation and that’s what we will always be.

You know me; I have always been a person looking for joyful moments to be happy in life. I don’t chase accomplishments. I don’t have big dreams. Music, poetry etc. are a part of my daily diet. I knew for the fact that if I want to be happy, I will have to seek my kind of happiness. Conflicts, debates and disagreement couldn’t have given me the happiness I was looking for. So, wherever I went, whomsoever I met, I tried to find points of agreement and this comes spontaneously to you when you start respecting other’s perspective, life, language, food etc. You will notice that people notice how you respond to their food, their language, their philosophy of life... Once they observe your positive gestures and accepting face, they start opening up and welcoming to you!

Wherever life took me, I made genuine efforts to accept and respect the local culture, language, food etc. I may not be a master, but I can speak Marathi, Gujarati, Bangla, Urdu, a bit of Punjabi, and of course, my native Assamese, Hindi and English. I also attempt at speaking a sentence or two in Malayalam, Oriya and Bhojpuri.

Mukul: What message would you have for the youth of this country………….

Rohan Gogoi: I don’t know if I am qualified enough to do so but I can certainly share what really worked for me, and that is – travel, meet new people, talk to them, listen to them. Understand the real India. Observe the world around. If one wants to be accepted and respected, one has to first be open to accept and respect other’s perspectives. “Holier than thou” attitude has never worked in India. We have to respect and celebrate pluralism. India will always remain diverse and that makes it uniquely rich. Taking pride in your identity is great, but being confined to it will make you closed and captive.

Mukul: Please let us peep into your future plans?

Rohan Gogoi:  Well, as of now, I want to do my bit to bring Assam on to the Hindi and Urdu literary map. So, Hindi-Urdu escapade continues. I am also working on making my Urdu poems more lyrical so as to adapt them into songs. Besides, I just finished writing the lyrics for an Assamese music album, scheduled to be launched sometime this year. This album would in fact feature Assamese trans-creations of 8 timeless Bollywood classics with the same essence and purity so that people get to relish the rich aesthetics of old Hindi music in their native language as well.  

I am in the last phase of writing my second English novel and I will get back to finish that one sometime soon.   

For all those poetry lovers, who often say ‘My Hindi is not good’, I am translating my Urdu poems into English and planning to bring out a bi-lingual collection by mid-2018.  

Mukul: What is your advice to budding writers like me?

Rohan Gogoi: People often tend to believe that writing a novel, or for that matter, any creative feat is just about being creative; which it is not completely true. Any creative pursuit demands more than just creativity. First of all, you need to be disciplined. If you are writing poetry or articles, you can manage with shorter attention span; but for a novel, you need to research, write hundreds of pages, edit, adapt and keep going back again and again to check the consistency and continuity. And this won’t be possible discipline and patience. Writing novels also require you sit for long hours with unbroken attention, which means you also need to ensure a fit body and a healthy brain. So making meditation and physical exercise a part of your everyday life also contributes substantially to your success. Creativity, I believe, is always triggered by experiences – the range of emotions we expose ourselves to. It is critically important for writers to observe the world around, meet new people, welcome diverse perspectives and have deep and meaningful conversations wherever possible. Besides, as we all know reading forms a crucial part of the writing process. The more you read, more proficient you become in your writing. 

Note: Rohan Gogoi can be reached on www.facebook.com/rohan.gogoi.14


Madhubani Painting as a Career

Madhubani Painting as a Career

Paintings: Language of Culture

Best character our country is its diversity; we have so many stories to tell, so many cultures to follow, so many places to visit, so many languages to learn and speak, so many delicacies to eat and everything is in continuity for tens of thousands of years. There is no place like our country on this planet earth.

 Our ancestors, other than being greatest minds, were greatest story tellers as well. Their teachings are in the form for numerous books, which are foundation stone of our culture. Contents of these books are not only spoken about but sung and presented in the form of pictures as well.

Madhubani Painting: Origin and Theme

One such book is ‘Ramayana’ depicting life journey of Lord Ram. Mithila is the second axis of three axes of Ramayana, because Goddess Sita was born here. Other two axes, of course, are Ayodhya and Lanka. In Present day parlance, Mithila is spread over Janakpur and nearby area of Nepal to Madhubani, Sitamarhi, Darbhanga districts of Bihar and nearby areas.

Mithila Painting nowadays is more popularly known as Madhubani painting, because this place has long been the capital different kingdoms of Mithila.

Mithila is the seat of Tantra and Goddess Kali is its presiding deity. ‘Worship of Goddess Kali’, ‘Life of Goddess Sita’ and her ‘Marriage to Lord Ram’ are three dominant theme of Mithila culture in order and so is of Mithila or Madhubani Paintings.

Madhubani Painting: A Career Option

To draw a Madhubani painting, you need right kind of pen and color, lots of finesse and most important of all, complete understanding of Mithila’s culture. All of it comes with your close association with it. Noted Painter of Madhubani Paintings and owner of Mukta Rani Creations (www.muktarani.com) Mrs. Mukta Rani says,” Unless you understand and imbibe the culture of Mithila, you won’t be able to paint its art. If you look at our daily life, you will find the distinct and subtle scent of feminity as well as her ferocious strength. All of it gets reflected in our paintings”.  

She further suggests following steps to make Madhubani painting and art as a career:

  • An understanding of Tantra as a spiritual practice is very necessary. Tantrik symbols like Fish, grain, eternal love of Shiva and Shakti, subtlety and ferocity of feminine power etc. are core of Madhubani paintings and art. These symbols have layered meanings, but an honest effort to understand them will help to feel the essence of culture of Mithila.   
  • A good reading of Valmiki Ramayana is necessary. Ram Charit Manas written by Tulsidas falls little short on the glories of Goddess Sita, the Princess of Mithila. Further, Valmiki Ramayana gives good narration of marriage of Goddess Sita and Lord Ram. 
  • Natural colours give an earthy look to the paintings.
  • Paintings can’t be methodical; it has to come straight from the heart.
  • Patience and practice are the biggest virtue for a painter. Success comes with finesse and maturity.

Madhubani Painting: Market Size

Villagers of Madhubani and Darbhanga district, mostly women are engaged in the profession of Madhubani painting, but it is not out of bound for men. Paintings fetch between Rs.1000/- to              Rs.1, 00,000/- depending upon its finesse, size and of course place. Japan, Singapore, China, USA other than India are its main market. Japan has a museum dedicated to Madhubani paintings. Madhubani paintings adorn the marriage of all the Maithil (Domicile of Mithila). As migration is a big reality and many of them have moved out of the boundaries of the Mithila for employment and have eventually settled in other big cities of India as well as other countries. So, there is a huge opportunity to be tapped.

Government is also making serious effort to organize this sector, so that finances can be made available to the painters. While elaborating the plan to strengthen this sector in a seminar on the “future of Madhubani Paintings” held on 9th November 2017 in Madhubani, District Magistrate of Madhubani, Shri Seershat Ashok Kapil told painters from across the district that a new web portal is coming up, which will have their profiles and few samples to showcase to potential buyers. Commerce Secretary of Bihar advised the District Magistrate to find a place for an Art Village, which should come up on NH-57, which connects Bihar with West Bengal, Odisha and Assam and goes through Madhubani District. Villages are being identified which can be promoted as culture tourism. Every house and building of these villages will adorn Madhubani paintings and funds from “Swachha Bharat Abhiyan” will be used to keep it clean and tourist friendly. Jitwarpur, a village very popular for Madhubani Paintings has already been designed on this line. Painters from across the district painted entire Madhubani Railway station with and it was first district in the country to do so. Four more railway stations in Bihar will adorn Madhubani painting.

Conclusion:

 If you take effort to understand the Mithila culture, then Madhubani painting can be taken up as a career. Government is making serious effort to uplift and strengthen it and your maturity and finesse of painting can fetch you good price as well. So, what are you waiting for…..    


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